Voigtländer Ultron lens · announced May 15, 2023

Voigtländer Ultron 27mm F2 X review

27 mm · f/2 · 120 g · 6 elements in 4 groups

8 / 10reviewed August 5, 2026

Verdict

The Ultron 27mm f/2 is a 120g all-metal pancake lens for Fuji X, with manual focus only. At f/2 it lets in twice as much light as Fujifilm's 27mm f/2.8 pancake. Focus falls off quickly, so your subject stands out from the background.

For small-Fuji owners who like to set the focus and aperture before they shoot, and who want a metal lens more than autofocus.

In detail

The Voigtländer Ultron 27mm F2 X is a lens for people who've decided they don't need autofocus. Cosina makes it in Japan, and designed it for Fujifilm's X mount only. It has electronic contacts, a distance scale and a focus tab, and no focus motor at all. Electronic contacts are small metal pins that let the lens and the camera share information. The focus tab is a small lever on the focus ring, so your finger can turn the ring and feel where it is.

Cosina announced the Ultron on May 15, 2023, and it went on sale that June at ¥73,000. Owners have posted sample photos from it in r/fujifilm ever since. Cosina's first X-mount lens was the Nokton 35mm F1.2 X in 2021. The Ultron has the same design: metal, manual focus and electronic contacts.

The lens is small. Inside are six pieces of glass, called elements, in four groups. One is an extra-low-dispersion element, a special glass that keeps colour fringes down. There's no aspherical glass.

The aperture is the opening that lets light in, and thin metal blades form it. The Ultron has ten straight blades. It focuses down to 25 cm, takes 43 mm filters and measures 59.3 × 23.5 mm. The spec sheet says 120g, but on a scale it's closer to 114g without the hood. The aperture ring clicks in third stops from f/2 to f/22. A stop is a doubling or halving of the light, so a third stop is a small step. A thin metal screw-in hood comes in the box, with a metal cap for it.

Fuji X cameras have an APS-C sensor, which is smaller than a full-frame sensor. To compare views, people use the equivalent focal length. That's the full-frame focal length that shows the same view. On APS-C, this 27mm lens gives a 40mm-equivalent view and a 53.7° angle of view. That's a little tighter than the 35mm-equivalent view of the X100 cameras and Fujifilm's 23mm lenses. It's a little wider than a 50mm lens, the classic "normal" view.

I shot mine through a monsoon week on two bodies. One was an X-E5, which has in-body stabilisation (IBIS). IBIS means the camera moves its sensor to cancel the shake of your hands. The other was an X-T30 III, which has no IBIS.

The electronic contacts tell the camera which lens is on it. So focus peaking, focus check, the distance display and IBIS all work. Focus peaking colours the sharp edges in the viewfinder, so you can see what's in focus. Focus check zooms in on the view so you can focus precisely. The camera also saves the aperture you set on the ring into the EXIF. EXIF is the data the camera saves inside each photo, such as the aperture and shutter speed.

On the X-T30 III, I shot almost everything at f/8 with zone focusing. Zone focusing means you set the focus to a distance ahead of time. Then you shoot anything in that zone without focusing again. The hard infinity stop made this easy. The ring stops at infinity and doesn't turn past it, so I could set the lens by feel and stop looking at it.

Fred Miranda measured the Ultron against the XF 23mm F2 R WR on an X-Pro3. At f/2, he found the Voigtländer had slightly more contrast in the centre. The Fuji was clearly better in the far corners. Stopping down means using a smaller aperture, like f/5.6 instead of f/2. As he stopped down, the Fuji got better faster. The Voigtländer kept improving up to f/8, where its corners closed most of the gap.

Lenses with aspherical glass sometimes show rings inside blurred lights, like the rings of a cut onion. The Ultron has no aspherical glass, so its blurred lights come out clean. Its ten blades are straight, so bright lights turn into sharp ten-point stars from about f/2.8. Photographers call these sunstars. With Fujifilm's autofocus lenses, you need about f/11 or smaller to get them.

Coma makes small points of light, like street lamps at night, look like little comets instead of dots. On this lens you can see coma at f/2 in night city shots. It's mostly gone at f/2.8 and fully gone by f/4.

Fujifilm released firmware updates for several bodies around May 2024. Firmware is the camera's own software. After those updates, some newer bodies started saving f/22 in the EXIF, whatever aperture was set on the ring. Fred Miranda confirmed this on the X-T5 and X-T50. He didn't see it on the X-T30 II, X-E4 or X-Pro3. At his last update, neither Cosina nor Fujifilm had answered him about it.

I didn't see this bug. Every frame from my X-E5 and X-T30 III saved the aperture I set.

Pros and cons

What we like

  • Sharp in the centre at f/2.
  • The change from sharp to blurred is short, so subjects stand out.
  • Blurred lights come out clean, with no rings inside them.
  • Ten straight blades turn bright lights into ten-point stars from about f/2.8.
  • All metal, with a focus tab and a hard stop at infinity.
  • The camera knows the lens is on, so focus aids, stabilisation and photo data work.
  • Focuses as close as 25 cm, close enough for small details.

I'd buy the Ultron for how its photos look. Focus falls off quickly behind the subject, and the change from sharp to soft is short. So subjects stand out from the background more than with Fujifilm's small f/2 lenses, which owners call Fujicrons.

At the 25 cm minimum focus, the background goes nearly smooth. Between about 0.7 m and 2 m, bright blurred lights get a thin outline. Voigtländer lenses are known for that outline. The lens is sharp in the centre from f/2, so you don't have to stop down to get a sharp photo.

It's built better than any other lens this size. It's all metal, with engraved and painted distance marks. The aperture ring has firm clicks. The focus ring turns smoothly with a soft, even drag, and you'll want to turn it just for the feel. Jay Massie said the focus ring is "as smooth as a buttered jellyfish with just enough resistance for precise and accurate control." It's a strange sentence, and it's also exactly right.

Flare is the haze and coloured spots you get when a bright light shines into the lens. The Ultron handles flare very well, which makes sense for a design with only six elements and modern coatings. I shot straight into a low sun on a bridge at f/8. I got the sunstar with no haze and no ghosting worth mentioning.

The lens has mild pincushion distortion, which bends straight lines near the edges a little. Its corners are also a little darker, which is called vignetting. The lens profile fixes both by itself, in Lightroom and in the camera. So the files you work with are clean.

And it stays small. The 120g lens on a 445g X-E5 makes 565g for the whole camera. The barrel sticks out less than the grip on most bodies. Owners on the DPReview forums confirmed early on that a 43 mm filter and the hood fit together without dark corners.

Trade-offs

  • No autofocus.
  • Everything past a few metres is in a tiny turn of the focus ring.
  • At f/2 the corners are softer than the XF 23mm F2 R WR's, until about f/8.
  • No weather sealing, on a lens people put on sealed X-Pro and X-T bodies.
  • Since firmware updates in 2024, some Fuji bodies save f/22 as the aperture.
  • Around $600, about 1.5 times the price of Fujifilm's 27mm with autofocus.

There's no autofocus, and no version of this lens will ever have it. Fuji's manual focus aids do most of the work. They include peaking, focus check, the digital split image and the focus meter. Once your finger learns where the tab is, zone focusing is quick. But people and animals that move in ways you can't predict are harder to shoot. You'll miss frames you wouldn't miss with a Fujicron.

The focus ring turns about 100 degrees from end to end. Much of that turn is spent between 25 cm and 1 m. So everything from a few metres to infinity fits in a small part of the turn. One DPReview owner sold his copy for this reason. He said precise focus between about eight feet and infinity was "extremely difficult." He went back to the XF 16mm and 35mm F2. At f/8 you can zone focus and the problem goes away. At f/2 at middle distances, you have to focus precisely, and that's hard.

The corners are the weak spot at f/2. Against the XF 23mm F2 R WR, the Voigtländer is clearly behind at the far edges at f/2. It needs f/8 to get close. Someone in r/fujifilm posted a side-by-side with the XF 27mm F2.8 R WR, and it showed the same thing. The Fuji looked brighter and more even from edge to edge. The Voigtländer was sharper in the middle and softer at the edges, with different colour. If you shoot landscapes at 27mm and zoom in to check the corners, the Fuji pancake is the better tool.

There's no weather sealing. Weather sealing means rubber seals that keep rain and dust out of the lens. People raise it in every forum thread about this lens, and it's a fair complaint. Many buyers put the Ultron on X-Pro and X-E bodies that are sealed.

Nobody has fixed the f/22 EXIF bug, as far as any public statement says. Owners fix the photo data afterwards with Lens Tagger or exiftool, two tools that rewrite EXIF.

The Ultron costs around $600 for a manual lens. Fujifilm's own 27mm pancake costs around $399, with autofocus and sealing. The Viltrox 27mm costs even less. With the Ultron, you pay for the metal and the brighter f/2 aperture. You also pay for the quick fall from sharp to soft, and for a slower way of working.

Who is this for

Buy the Ultron if you enjoy setting the camera and focusing by hand as much as you enjoy the photos. It suits you if you already own a small Fuji body and keep looking at X100 photos and videos. It's good for street, travel and everyday documentary photos at a 40mm-equivalent view. And it suits people who set the focus and aperture ahead of time, then wait for a picture at that distance.

On an X-Pro3, you get parallax correction in the optical finder. The optical finder is a separate window, so it sees a slightly different view from the lens. Parallax correction moves the frame lines so they match what the lens sees. The hard infinity stop also lines up properly. With both, an X-Pro3 and this lens work like a rangefinder, the old style of camera with a separate viewfinder window.

Skip it if you photograph children, dogs or anything else that won't hold still. Skip it too if you need weather sealing. And skip it if you shoot landscapes at this focal length and care about the corners. The XF 27mm F2.8 R WR is smaller, sealed, has autofocus and costs less. In return, it opens only to f/2.8, so it lets in half the light. It also gives up the Ultron's quick fall from sharp to soft. The XF 23mm F2 R WR is the better all-round lens by most measurements. It's nearly twice the weight and shows a wider view.

If your camera has no IBIS, think about shutter speed. On my X-T30 III, the lens was fine at f/8 in daylight. But the lens has no stabiliser of its own, and the camera can't keep the shutter speed above a safe minimum for you. On an X-E5, X-T5, X-S20 or any other IBIS body, the sensor steadies the picture while you turn the ring. That lets you hold the camera by hand at slower shutter speeds at dusk.

My advice if you buy one: leave it on the camera for a month before you go back to autofocus. The first week feels clumsy. By the second week, your finger knows where the tab is, and you choose the focus point yourself.

Sample photos

Every frame below was shot on the Ultron 27mm F2 X by us. Settings come from the EXIF the lens wrote into the file. Images are resized for the web and processed in Lightroom, so treat them as rendering references rather than resolution tests. Frames with a link open on masnun.photos, where the full-size file lives.

Yellow cassia blossoms hanging from a branch, sharply focused against a background of round out-of-focus highlights from gaps in the tree canopy, shot at f/2 on the Voigtländer Ultron 27mm.
f/2, ISO 100, X-E5. The blurred lights in the background come out round and clean, with no rings inside them. That's because the lens has no aspherical glass.
Purple periwinkle flowers covered in rain droplets against a dark green background, shot close up at f/2 on the Voigtländer Ultron 27mm.
f/2, ISO 100, X-E5, near the 25 cm minimum focus. The water drops on the petals are sharp, and the background turns soft within a short distance.
A single pink-red oleander flower with rain droplets, isolated against soft green leaves, shot at f/2 on the Voigtländer Ultron 27mm.
f/2, ISO 200, X-E5, about a metre away. At this distance, bright blurred spots get a thin outline. That outline makes photos from this lens look least like a modern lens.
Orange and red flame-tree flowers with long red stamens photographed from below against a blown-out white sky on the Voigtländer Ultron 27mm.
f/2, ISO 64, X-E5. Thin branches against a white sky often get coloured edges, called colour fringing. This photo has very little.
A black Honda Civic parked on a wet road painted with coloured geometric shapes, trees and flowers lining both sides, shot on the Voigtländer Ultron 27mm.
f/5.6, ISO 400, X-E5. Detail at a middle distance, at a smaller aperture. The 40mm-equivalent view suits everyday street photos like this one.
A long bridge walkway running to the horizon under a blue sky, lined with tall curved street lamps, shot at f/8 on the Voigtländer Ultron 27mm.
f/8, ISO 250, X-T30 III, zone focused. At f/8 the corners of this lens are nearly as sharp as the centre.
A concrete bridge over a wide river at sunset with the sun low in the frame behind cloud, warm orange light reflecting off the water.
f/8, ISO 125, X-T30 III, shot into a low sun. There's no ghosting and no haze over the shadows. The simple six-element design and modern coatings help here.
Overhead view of two men on a cycle rickshaw van loaded with orange crates, pushing through a flooded muddy road beside dense green trees.
f/8, ISO 2500, X-T30 III, shot down from a bridge. The lens has no autofocus and this camera has no stabilisation, so I zone focused and used a fast shutter speed.
A young man in a pink sweatshirt punching a street boxing arcade machine at night, his fist blurred with motion, under a neon KING BOXER BOXING sign in red, green and yellow.
f/2.2, ISO 1250, X-E4. Bright LED signs at night can smear colour on fast lenses. Here the edges of the sign stay sharp, and the blurred street behind stays calm.
A tall glass of iced lemon and mint drink with an orange straw, mint leaves on top, isolated against a dark cafe table with round out-of-focus highlights behind.
f/2, ISO 2000, X-M5, near the 25 cm minimum focus. The mint on the rim is sharp, and the glass goes soft within a few centimetres. The bright spots at top right stay round.
A long red brick and white university building mirrored in a still green pond, framed by trees under a pale blue sky.
f/6.4, ISO 160, X-T30 III. The university building and its reflection in the pond are both sharp at f/6.4. That's one of the ring's third-stop settings, and the file saved it correctly. So the f/22 EXIF bug didn't happen on this camera.

Full specifications

Focal length27 mm
35mm equivalent40 mm
Maximum aperturef/2
Minimum aperturef/22
Optical construction6 elements in 4 groups
Special elements1 extra-low-dispersion element, no aspherical glass
Min. focus distance0.25 m
Max. magnification0.15×
Aperture blades10
Filter thread43 mm
Diameter × length59.3 × 23.5 mm
Weight120g
Weather sealingNo
Min. operating temp—
Focus driveManual focus only
Optical stabilizationNo
AnnouncedMay 15, 2023

Rating breakdown

DimensionScore
Image quality9 / 10
Focusing7 / 10
Handling9 / 10
Value7 / 10

Where to buy

The link below runs an Amazon search for this lens rather than pointing at one listing, because stock and sellers move around. As an Amazon Associate we earn from qualifying purchases — at no extra cost to you.

Ultron 27mm F2 XAmazon · search results

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Sources and further reading

Specs come from the manufacturer. Measured optical behaviour and owner reports are attributed to the people who did the work:

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